Todos los recursos

6 efectos, 8 prompts

Efectos en tendencia hechos con IA

Los 6 efectos de mi último carrusel, con los 8 prompts que los generaron.

  • Efectos6
  • Prompts8
  • HerramientasSeedance 2.5 · Higgsfield · CapCut

Antes de empezar

Cópialo, pégalo, hazlo tuyo.

Cada sección trae un efecto del carrusel con su prompt exacto, en el orden en que aparecen. Todos se generaron con Seedance 2.5 dentro de Higgsfield, menos el de rayos X, que es una edición de imagen.

  1. 1

    Prepara tus imágenes de referencia.

    Casi todos estos efectos parten de fotos: tu cara, tu outfit, la locación, el producto. Arriba de cada prompt te digo exactamente qué va en cada espacio.

  2. 2

    Sube las referencias en ese mismo orden.

    Donde el prompt dice <<<image_1>>>, <<<image_2>>> o <<<video_1>>> van tus archivos, numerados igual que los subes.

  3. 3

    Cambia mis descripciones por las tuyas.

    Los prompts describen mi pelo, mi ropa, mis escenarios y mi producto. Reemplaza esas frases por lo tuyo. Si el texto y la foto no coinciden, el modelo se confunde.

  4. 4

    Genera.

    Estos efectos pueden tomarte 2 o 3 intentos. Es normal. Saber por qué falla es lo que te ahorra créditos.

En "Atrápame si puedes" los tres prompts van encima de un mismo video base. Ese video no lleva prompt, se graba: primero grabas la toma fija y después le aplicas el prompt de la variante que quieras, usando tu video como referencia.

1/6 Seedance 2.5 · Higgsfield

Aterrizaje de Spiderman.

El video abre con el lugar vacío y ella aparece diminuta al fondo, muy por encima de los edificios. El prompt pide exactamente dos balanceos: el primero a lo lejos, entre las torres, y el segundo entrando hacia la cámara hasta aterrizar. Le insiste al modelo en que el hilo sea uno solo y delgado, del grosor de una cuerda de escalar.

Referencias

  • image_1: el primer cuadro exacto, el lugar vacío.
  • image_2: el último cuadro exacto, tú aterrizando.
Prompt

<<<image_1>>> is the exact first frame; <<<image_2>>> is the exact last frame. Total duration: 10 seconds.

The subject is the exact same young woman shown in <<<image_2>>>, preserving her facial identity, hairstyle, body proportions and clothing throughout the entire video: shoulder-length dark brown wavy hair worn loose with lighter caramel balayage ends, a black sleeveless ribbed crop top with a high round neckline, high-waisted light blue wide-leg denim jeans, white high-top canvas sneakers with white laces and white rubber toe caps, small gold hoop earrings, a thin gold chain bracelet on her right wrist and a thin gold ring. Her clothes must never transform into a superhero costume.

She swings through the environment shown in <<<image_1>>> and <<<image_2>>>, matching the location, ground, surroundings, depth and background exactly: an open rooftop terrace paved with large square light grey concrete tiles, enclosed by a dark grey painted parapet wall, overlooking a dense city of beige and terracotta high-rise apartment towers, palm trees, low buildings with red tile roofs, satellite dishes and power lines, with a large green mountain ridge and heavy overcast grey clouds behind them. The movement has a realistic, agile, spider-inspired superhero quality, but remains completely generic and NON-IP.

THE WEB — CRITICAL: Each web is ONE single THIN strand only, roughly the thickness of a climbing rope, translucent white with a faint criss-cross fiber texture and constant thickness along its entire length. It must NOT be a wide band, double or twin line, tapering beam, jet vapor trail, contrail or broad translucent ribbon. Only ONE strand is visible at any given moment: she fires the second one only after the first has fully recoiled out of view. She grips it with ONE hand overhead only; the other arm remains free for balance. Its far end is always anchored to something high and solid OUTSIDE the edge of the frame. Generic web, NON-IP.

CAMERA: Handheld vertical 9:16 shot, as if a person were holding a phone. The shot begins on the exact framing of <<<image_1>>> and ends on the exact framing of <<<image_2>>>. Between those two points the camera has natural handheld life: subtle organic drift, gentle breathing sway, small weight shifts and tiny micro-corrections, plus a light bump and settle on her landing impact. Keep the same camera height, focal length, perspective and composition as <<<image_1>>> and <<<image_2>>> throughout. The handheld motion stays SUBTLE and restrained: no whip pans, no zooms, no dolly or crane moves, no reframing, no violent shake, no rolling shutter wobble. The camera never searches for the subject and never tracks her: she moves through a nearly fixed frame. The first and last frames must still match <<<image_1>>> and <<<image_2>>> exactly.

LIGHTING: Match the lighting visible in <<<image_1>>> and <<<image_2>>> exactly: flat, soft, diffused overcast daylight with no harsh shadows and a slightly cool grey cast. Preserve consistent exposure, realistic skin tones, natural soft shadows and the original color characteristics of the environment throughout the entire shot. Do not introduce artificial lighting, dramatic lighting changes, sunlight or changes in weather.

ACTION — EXACTLY TWO WEB SWINGS TOTAL, in one continuous unbroken take, no cuts. Timing must be spread evenly across the full 10 seconds at consistent real-time speed:

0.0s to 0.5s: The shot opens on the empty rooftop terrace exactly as shown in <<<image_1>>>. She appears extremely small in the far distance, high above the apartment towers in the background, correctly scaled to the real depth and perspective of the environment.

0.5s to 3.5s: SWING ONE. She fires a thin strand at a high off-screen anchor and swings in a wide pendulum arc between the distant apartment towers, passing between and around the buildings. She grows steadily larger with correct perspective and depth. No sudden scale changes, no teleportation and no vertical lowering motion. At the top of the arc she releases and the strand whips upward and recoils out of view.

3.5s to 7.0s: SWING TWO, the final one. She fires a new thin web toward a high off-screen anchor near the camera and swings into the foreground along a wide lateral arc, moving diagonally in over the parapet wall of the rooftop and toward the camera, filling more of the frame. At the bottom of the arc, her legs swing ahead of her torso while her body trails naturally behind the taut strand. Momentum then carries her torso forward and upward. Throughout both swings her body stays loose and reactive rather than rigid: she sways slightly off-axis and makes small, continuous balance corrections with her free arm and legs.

7.0s to 8.5s: Near the top of the last swing she releases the strand. The web immediately whips upward and recoils out of frame. She carries the remaining rotational momentum into one clean backflip, opens her body at the correct moment and descends naturally toward the tiled rooftop floor visible in <<<image_2>>>.

8.5s to 10.0s: LANDING — CRITICAL: She lands in one continuous motion on the grey tiled rooftop floor and settles into the EXACT final position, composition and scale shown in <<<image_2>>>: a low crouched superhero landing, her left foot planted flat on the tiles with the knee up, her right knee and shin down on the tiles with the sole of her right sneaker visible behind her, her right hand pressed flat on the tile in front of her, torso upright and leaning slightly forward, head up and facing the camera with a wide natural smile. Do not replace it with a different superhero pose. She holds this final pose still until the last frame.

The final body position must reproduce <<<image_2>>> exactly. Preserve the precise placement and orientation of her head, facial expression, gaze, torso, hands, arms, legs, feet, clothing and accessories as visible in <<<image_2>>>. Her head settles last into the exact facial expression and gaze shown in <<<image_2>>>.

The final frame must reproduce <<<image_2>>> exactly, with no visual transition, morphing or mismatch.

Keep the entire movement at consistent real-time speed. Do NOT use slow motion and do NOT rush or fast-forward any section to fit the duration.

PHYSICS: Authentic pendulum weight and momentum along a diagonal axis on both swings. Each thin strand remains under believable tension, with subtle stretch and elastic recoil connected to a fixed off-screen anchor. Her mass genuinely hangs and swings from the strand. Preserve convincing rotational inertia during the flip, realistic gravity and a grounded impact on landing. Add only a very subtle puff of dust and a small shoe scuff on the tiles. Her hair, crop top and wide-leg jeans react naturally to airflow, gravity and deceleration.

AUDIO: A distant web thwip on each of the two swings, gradually intensifying swing whoosh as she approaches, subtle elastic twang each time a strand is released, air movement during the flip, solid sneaker impact and light scuff on the tiled floor, quiet outdoor city wind and faint natural ambience appropriate to the environment. No dialogue and no music.

This is a fully synthetic VFX sequence; no real stunt is being performed. High detail, natural motion, sharp subject focus, realistic footage, consistent identity, no costume transformation, never more than one web strand visible at a time, no duplicated limbs, no body deformation, no zoom, no camera tracking, no slow motion, no text, no logos and no watermark.

2/6 Seedance 2.5 · Higgsfield

Atrápame si puedes.

El video base es una toma fija de alguien corriendo y cruzando el cuadro. Ese no lleva prompt porque se graba: el mío lo grabé yo con la cámara quieta y tú puedes grabar el tuyo igual. Los tres prompts de abajo se aplican encima de ese mismo video y cada uno cambia lo que pasa antes de que llegue al centro.

Referencias

  • video_1: tu video base, el mismo para los tres.
Variante 1 · Se desvanece

Before she reaches the middle of the screen (by second 0:01), the woman vanishes completely in a single frame. A soft puff of pale grey dust bursts outward where her body was, expands, thins out and drifts away to the left, following the direction she was running. The court is completely empty from second 0:02 to the end and nobody enters the frame again. Keep the static locked-off camera, the same framing and the same lighting. No cuts, no camera movement. Don't add any glow, glitter, sparkles or light flash.

Variante 2 · Se tropieza

Before she reaches the middle of the screen (By second 0:01) , the woman trips forward comically landing on her face.

Variante 3 · Se infla como globo

Before she reaches the middle of the screen (By second 0:01) , the woman inflates herself fast and starts floating like a latex helium balloon. Don't change the camera angle. No cuts

La silueta blanca no está en ningún prompt. Esa se dibuja después en CapCut, encima del video.

3/6 Seedance 2.5 · Higgsfield

Telaraña con producto.

Sale de una sola foto y sirve con el producto u objeto que tú quieras. El prompt describe la telaraña entrando desde la izquierda, pegándose al producto, el producto tambaleándose y derramándose, y después el arrastre plano hasta salir del cuadro. La cámara no lo sigue y el último cuadro queda en la superficie vacía. Cambia la descripción del vaso por la de tu producto.

Referencias

  • image_1: la foto de tu producto.
Prompt

<<<image_1>>> The cocktail (<<<image_1>>>): a ribbed rocks glass of pale green cucumber cocktail with a salted rim, cucumber slice, lime wheel and rosemary sprig, resting on a round cork coaster on a dark polished wood bar.

Style & Mood: Photoreal handheld-phone realism matching the source frame exactly. Warm dim bar lighting, brass light strip glowing along the back counter, shallow depth of field with the bottle shelf soft and blurred behind. Natural color, no stylization, real liquid physics. Narrative Summary: A white silk web line fires in from the left, sticks to the cocktail glass, and drags it flat off the bar and out of frame. Dynamic Description: Locked-off camera, identical framing to the reference photo, held completely still. A thin white elastic silk strand whips in fast from the left edge of frame, crosses the bar in a single horizontal streak and slaps against the near side of the glass, splattering like a spider web into a fan of sticky white filaments that grip the ribbed crystal. The camera shudders faintly on the impact. The glass rocks in place for a beat, ice cubes rattling, the pale green liquid sloshing up and spilling over the salted rim, a thin run of it sliding down the outside of the glass onto the cork coaster and pooling on the dark wood. The rosemary sprig trembles. The strand snaps taut and pulls hard to the left: the glass slides fast, flat and level across the bar top, base never lifting, never tipping, dragged in one continuous horizontal motion at constant height, liquid sheeting out behind it, the cork coaster spinning loose, and the glass exits the left edge of frame. The camera does not follow. The empty bar top holds the last frame: a wet green streak across the wood, scattered droplets, the coaster still spinning. Static Description: Dark polished wood bar with visible grain and reflections of the warm lights. Round cork coaster. Blurred back bar with rows of liquor bottles, metal shakers, wooden bar stools with brass legs, a brass light strip, a chalkboard menu on the far wall and a printed menu at the right edge of frame. Warm low-key interior lighting, wooden plank floor below.

4/6 Edición de imagen

Efecto Xray con glitch.

Este no es un prompt de video, es una edición de imagen. Pide dejar el fondo intacto y convertir solo a la persona y sus cosas en una radiografía real: cráneo con mandíbula y dientes, columna, costillas, pelvis y los huesos de la mano. Dentro de la maleta puedes poner tu producto, y dentro de la cartera lo que tú quieras. Solo cámbialo en el prompt.

Referencias

  • Tu foto original, sin editar.
Prompt de imagen

Edit the FIRST reference photo. Keep the airport jet bridge background EXACTLY as it is, fully photographic and untouched: same jetway corridor, same angled glass windows, same white ceiling panels, same gray carpet, same daylight, same framing and composition, planes visible outside.

Transform ONLY the woman, her shoulder bag and her rolling suitcase into a REAL medical X-ray / airport security radiograph, keeping her exact same pose, silhouette, scale and position in frame (walking away down the jet bridge, looking back over her shoulder, one hand on the suitcase handle). Keep her original contact shadow on the carpet so she stays grounded in the scene.

The woman reads as a genuine radiographic plate: skeleton clearly visible, skull with jaw and teeth, spine, ribcage, pelvis, arm bones, hand bones gripping the suitcase handle, leg bones, foot bones inside her shoes. Bone is dense light gray to off-white, soft tissue is a darker translucent gray, clothing is only a very faint gray density difference.

The shoulder bag becomes a translucent X-ray shell and its contents are clearly visible inside as denser objects: a smartphone (rectangular slab with internal circuit board and battery visible), a lipstick tube, a mascara, a round compact powder case.

THE SUITCASE IS THE FOCAL POINT AND ITS CONTENTS MUST BE PERFECTLY LEGIBLE. The suitcase becomes an almost fully transparent X-ray shell, only a faint outline of its ribbed shell, telescoping handle rails and wheel bearings, so nothing competes with the cargo inside. The X-ray reveals the case is crammed edge to edge with identical small glass serum dropper bottles, no other objects, no clothes, no empty space.

How each bottle must read, this is the critical detail: a short cylindrical clear glass bottle with straight shoulders. The thick glass walls and base are dense and bright white. Inside, the serum liquid sits at a visible fill level, the liquid slightly darker gray than the glass. Screwed on top is a dropper cap: a ridged collar, a rounded rubber bulb above it that reads darker and softer than the glass, and a long thin straight glass pipette descending through the liquid almost to the bottom of the bottle, clearly visible as a bright hairline tube. That pipette inside the liquid is the signature detail and must be crisp in every bottle. No labels, no printed text on the bottles.

ARRANGEMENT, IMPORTANT: the bottles are DUMPED and PILED UP in a messy heap, NOT organized, NOT in neat rows, NOT in a shipping tray, NOT aligned. They lie at random angles in every direction, some upright, many tipped over on their side, some diagonal, some upside down, leaning and resting on top of each other, overlapping and jumbled like a bag of loose objects poured into the case, settling under their own weight and filling every corner. Despite the chaos, each individual bottle stays readable: the dense bright glass edges and the pipette inside keep every silhouette distinct against its neighbors, so the pile reads as dozens of separate identifiable dropper bottles and never as a uniform white mass. Around 25 to 35 bottles visible.

RENDERING STYLE, VERY IMPORTANT: Don't change the position of the woman or suitcase. Authentic clinical radiograph look. Grayscale with only a very subtle cool blue-gray tint, like a real hospital film or an airport baggage scanner readout. Matte, flat, slightly grainy film texture. NO glow, NO halo, NO rim light, NO bloom, NO neon, NO glowing outline, NO holographic or sci-fi hologram effect, NO bright cyan emission, NO light radiating around the body or the luggage. The X-ray areas must not emit any light onto the background. Clean, hard silhouette edges where the X-ray subject meets the untouched photographic background. The suitcase interior carries the highest contrast in the frame so the bottles pop clearly. No text overlays, no captions, no watermark.

El paso de foto normal a radiografía se arma en CapCut con las dos imágenes, la original y la generada.

5/6 Seedance 2.5 · Higgsfield

Posts conectado por producto.

Aquí el producto cae de un post al de abajo. Sirve con lo que tú quieras, solo cambia la palabra en el prompt. Lo que pide: que la mano apriete, que el producto caiga por el centro pasando por delante de la barra de Instagram, que el personaje abra el pico y se lo beba, que se acabe después de unos segundos y que el video regrese al principio para cerrar el bucle. Pide efectos de sonido y nada de música.

Referencias

  • El primer cuadro ya armado: tu foto arriba, la barra de Instagram en el medio y tu ilustración abajo, todavía sin nada cayendo. Y una segunda imagen igual pero con el producto ya cayendo, como referencia del chorro.
Prompt

Static shot. Loop video. The hand press on the sauce. The sauce falls through the IG post. The bird illustration is looking to the front, and before the drop of salsa is about to get to him, he opens his beak and drinks the sauce. After a few seconds the sauce runs out and the video goes back to the beginning to create a loop. No music. Just sound effects.

6/6 Seedance 2.5 · Higgsfield

Spiderman invertido.

El prompt más detallado de la guía. Describe el salto, la palma golpeando el techo y quedándose agarrada, el cuerpo girando alrededor de esa mano como si fuera una bisagra, y el aterrizaje en cuclillas boca abajo. Repite varias veces que no está flotando, que la mano no se despega ni un cuadro y que las piernas nunca se estiran. Al final dispara un hilo a la cámara y la jala hasta su cara.

Referencias

  • image_1: el pasillo con la persona dentro.
  • image_2: tu cara.
Prompt

<<<image_1>>> = the woman with the short dark chin-length bob, white ribbed square-neck tank, brown leather belt with gold buckle, high-waisted light-wash denim shorts, white leather sneakers, thin gold necklace; and the narrow beige hallway she stands in. She is smiling softly the hole time.

<<<image_2>>> = Woman's face.

Style & Mood: Clean natural daylight interior realism, soft diffused light, warm beige walls, honey-toned wood flooring, low contrast, no color grade, phone-style wide lens. Grounded physical stunt realism with real weight and real impact, not floaty and not dreamlike. Narrative Summary: A woman jumps straight up, grips the ceiling with one hand, swings her feet up onto it, turns towards the camera and crouches there like a spider. She fires a web that yanks the camera to her face with a shaky and fast movement. Dynamic Description: One continuous unbroken shot with no cuts. Static low camera at floor level at the far end of the hallway, tilted up so the full ceiling plane and the recessed downlight fill the top third of the frame. The woman (<<<image_1>>>) jumps up with confidence, sneakers leaving the wood, right arm punching overhead, motion blur on the rise, covering the full height to the ceiling in a second. Her right palm hits the ceiling hard and grips it: fingers splayed wide, palm pressed flat against the plaster surface, forearm tensing, arm locked dead straight. Her full body weight drops onto that one shoulder and stops with a jolt. She is not floating and not hovering and not levitating; the only thing holding her off the floor is that hand gripping the ceiling, and there is zero gap between her palm and the ceiling surface at any point. Her body swings once like a pendulum below the fixed hand. Immediately her hips drive upward and her legs swing up overhead while her shoulder stays locked in place at the ceiling. Her body stays fully extended and long: she never tucks into a ball, never curls her knees to her chest, never performs a free somersault in mid-air, and her right palm never leaves the ceiling for a single frame. The entire rotation happens around that planted hand as a fixed hinge. Both sneakers land flat on the ceiling on either side of the planted hand with hard contact. While she does that, she puts herself towards the camera. She immediately folds down into a deep compact crouch clinging to the ceiling, knees bent sharply and pushed out wide, hips folded, torso pulled in tight and low against the ceiling surface, head hanging down toward the floor, both palms flat on the ceiling beside her feet, perched upside down like a spider. She stays in this low crouch and never straightens her legs, never stands upright, and never extends her body away from the ceiling. Still crouched, she peels her right hand off the ceiling and punches that arm straight down toward the lens, the two outer fingers folded in, and fires a white web line straight down the center of the frame. The line hits the lens dead center and sticks to it. She pulls the web line towards her and holds it like an inverted selfie. The line snaps taut and the camera is yanked upward toward her fast and hard, hallway walls streaking past on both sides, ending in a tight close-up on her inverted face with the ceiling right behind her. She smiles. Static Description: Narrow residential hallway, matte beige walls, white painted door frames with a white panel door on each side, white baseboards, honey-toned laminate wood flooring, one flush recessed downlight in the flat white ceiling, a white light switch plate on the right wall. Daylight only, no practicals. Her hair stays a short dark chin-length bob for the entire shot and never becomes long or flowing.

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Estos son los prompts tal cual los usé, sin editar nada. Cámbialos, rómpelos, hazlos tuyos.
Y etiquétame cuando publiques lo que creaste. Me encanta verlo.

- Giuli

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