Trends de contenido

Recrea en HTML y CSS la pantalla de inicio de Instagram de la captura que te adjunto: la barra de arriba con el logo, la fila de stories y mi foto de fondo ocupando todo el cuadro. Usa mis imágenes para los círculos de las stories y para el fondo. Formato 3:4 (1440×1920), sin audio.

Anima los círculos de las stories para que salgan de la fila y caigan dentro de la cartera que tengo en las manos, uno por uno, en este orden: 1 El Ávila, 2 Ventilador, 3 Pirucream, 4 Café frío. Cada círculo lleva su nombre debajo y el nombre viaja con él.

El círculo rueda de lado como una metra sobre una mesa, realista: solo gira mientras avanza en horizontal. Después cae como si fuera un embudo, sin detenerse, con gravedad realista y casi sin girar. No reduzcas su tamaño más de lo necesario para que quepa en la cartera.

Mi recorte y el frente de la cartera van por encima de los círculos, para que desaparezcan dentro de ella y no asomen por debajo. Sin temblor ni golpes de cámara.

Renderízalo como video MP4.

Fixed top-down overhead camera for the whole video, no camera movement. Use @Imagen 1 as the room, @Imagen 2 as the woman (same face, hair and body in every shot). She smiles during the whole video, posing with confidence. She is petite. Realistic editorial fashion video, soft natural daylight.

0-5s: She lies on her side on the sofa at the upper right of the frame, wearing the dress from @Imagen 3 and the red patent ankle-strap stiletto sandals, clearly visible on her feet. She slides off the sofa and drops onto the center of the rug with a soft thud, landing on her back in this pose: head turned and tilted to one side, one arm bent behind her head, the other hand resting on her waist, legs angled to one side. Her hair is neatly placed around her face and behind her head. She picks up the TV remote from the rug, raises it toward the camera and presses the button. Nothing happens. She leaves the remote next to her. The remote stays there for the rest of the video.

5-8s: Instant match cut. Same framing and same head position, she is now wearing the outfit from @Imagen 4 (corset top, midi skirt, yellow stilettos, gold bangles). She softly changes her pose, smiling, like a model: lying on her back, both hands on her hips with elbows out, legs crossed at the calf, looking at the camera.

8-11s: Instant match cut. Same framing and same head position, she is now wearing the outfit from @Imagen 5 (blue bustier, rose-print ruched mini skirt, red sandals). She softly changes her pose, smiling, like a model: body angled diagonally, left hand on her hip, right hand open on the rug, legs crossed toward the left, head turned slightly to the right.

Head and neck in every shot: her face is never pointing straight up at the camera. The head is always turned or tilted a little to one side, resting slightly back, with the chin forward and the neck long, so the jawline and the line from chin to neck stay clean and defined.

Static shot

Static camera lying on its back on the ground, looking straight up at a hazy blue sky, sun in the upper left corner with soft lens flares. The camera never moves.

0-2s: a small cluster of Venezuelan candies appears high in the sky and falls slowly toward the camera, growing bigger: several @Imagen 1 packs, @Imagen 2 bars, @Imagen 3 tubes, @Imagen 5 squares and many small @Imagen 4 bonbons.

2-4s: they speed up and land flat directly on top of the camera lens, seen from straight underneath, one on top of the other, stopping instantly with no bounce. Each new candy covers more of the sky, the long Cocosette packs and Ovomaltina tubes land last, huge and closest to the lens.

4-6s: the candies cover the entire frame from edge to edge, all wrappers facing the camera with logos sharp and readable, only tiny gaps of sky between them. Warm golden hour light on the glossy wrappers. No shelf, no horizon line.

Sound: soft whoosh as they fall, crinkly wrapper taps as they land. Photorealistic candy commercial, 6 seconds.